The POWERPLAY P1 Personal In-Ear Monitor (IEM) Amplifier puts control where it' most useful “ right at the artist' fingertips. Whether on stage or in the studio, the P1 provides performers and recording artists with a dependable and affordable personal monitoring solution.
Drummer-Proof Output The P1' high-power headphone output ensures that as the band gets louder, you™ll still be able to hear every nuance of your performance. And the P1' simple user interface makes it easy for everyone to dial in a perfect mix every time.
Using the P1 also helps protect your hearing in two ways. First, thanks to a built-in current limiter, unexpected peaks in signal level won't get to your ears. Second, the simple act of wearing headphones or earbuds helps isolate your ears from loud stage volume of instrument amps and monitor wedges. With the P1, you can clearly hear your own performance and blend in the ideal amount of the rest of the band.
The Perfect Monitor Mix Dual XLR inputs allow 2-channel, mono or stereo operation with a convenient mix function which allows you to run two sources into the P1 and dial-in exactly what you want to hear as you perform. Two simple controls, Level and Balance, help you achieve the perfect mix in an instant. The P1 lets you take control of what you hear and allows the engineer to concentrate on providing the audience the best listening experience. Plus, setup is so fast and easy, letting you concentrate on putting on the best performance when you hit the stage.
Power to Last One little 9 V battery lasts up to 12 hours, so the P1 will go as long as your next show or studio recording session! Or, use the optional PSU-SB DC power supply for the ultimate in dependable power. And the P1's metal chassis is built like a tank to handle even your most- demanding and energetic performance. Small enough to hang on your belt “ or mount on a mic or drum stand, the P1 puts complete balance and volume control in your hands.
"How do I get an in-ear monitor mix?"
Written by Mike Volkerding/ Freq City Sound
New to the idea of in-ear monitors? One of the questions I often receive is;
"How do I get an i- ear monitor mix?"
Open Aux Send
On most mixing consoles there are auxiliary sends. Your board guy will use one for a reverb, one for a delay, and then hopefully there are a couple open aux sends. For you to see what's happening look at your input on the board. Follow the channel strip all the way to the top. See the aux sends? One of those will be your mix. Let's say that you are the vocal channel. To turn your vocal up in your in-ear monitor mix, you will turn up the related aux send. Let's say your aux send is number three. As you go across the console you will adjust aux send number three for any signal of which you want more. You want more guitar? Turn up aux number three on the guitar channel.
On the back of the console look for the output marked aux three. Aux send three is where you will plug in your in ear monitor amp such as the Elite Core PMA (best bang for the buck), Rolls PM50s , Rolls PM55P or the Rolls PM351. We'll call this in ear monitor setup "Hardwired" because you're going from the jack on the console straight to an amplifier with a wire. This is the least expensive way of getting in ear mix and works great because there's no wireless issues to concern yourself with. It's good for drummers, keyboard players or say you're in a church setting where you sit in a chair the same place every week. The next step is plugging your earphones into your in-ear monitor amp. You're set to rock.
Everything is the same as above except you come out of the Aux #3 jack to your wireless transmitter. The wireless transmitter sends that same signal to your belt pack (the receiver). Plug your earphones into the belt pack, you're set to rock.
Let's talk a little bit about how to get a signal to your hardwired in ear monitor amp. On standard analog boards you have a number of auxiliary sends. If you look at a channel strip you'll see the fader, EQ section, and AUX send section. You'll need one of those auxiliary sends to be open in order for you to get a personal mix. AUX SENDS are commonly used for sending reverb, delay or a monitor mix. If you have an open auxiliary send that will be your mix. On the back of the console you'll see the AUX outputs. Take that output whether it be a tip ring sleeve (TRS) or an XLR from that output straight to your hardwired in ear monitor amplifier. The mix of instruments and vocals will be done at the console. You'll have overall volume control at your amp.
Let's say you've chosen AUX 1 as your mix. You want more guitar? Go to the guitar channel and on that channel turn up AUX 1. Repeat this for every instrument plugged into the console to create your own personal monitor mix.
It's pretty much the same on the new digital consoles and rack mixers only you have a lot more flexibility. Many digital consoles and rack consoles for ipad have as many as 10 AUX sends where our old analog boards, we were lucky to see 6 . You also have the ability within your AUX SEND to EQ your mix, ad reverb etc. The process is essentially the same though. Your AUX SEND is your in ear monitor mix.
There are a lot of creative ways to get a mix with a personal amp even if you don't have an AUX SEND on your console. Several of the monitor amps have two inputs, some three. They also have through-puts. Meaning, you plug your microphone in to the amp and then out of the other side on to the console. You now have control of that microphone volume in your ear. Now we need to consider what goes into the other input of the amplifier. Let's say you're mixing console doesn't have enough open AUX SEND's to give you your own personal monitor mix.
Get a split from what ever monitor mix their sending and plug it into the other side of your amp. Now you have an overall monitor mix and you were vocal as loud as you want.
Let's just take a split of the front of house mix and run it in to channel 2. Now you have a nice balanced full band signal to mix in your vocal and as needed.
I'm just thinking out loud here. How about we set a microphone in the room and run it into the second channel of your monitor amp. Now you pick up everything on stage with one microphone and balance your vocal and as you like.
I'm sure there are several more ideas we could come up with. They all have their pluses and drawbacks but what I'm trying to get through is the versatility of a personal monitor amp.
If you guys come up with anything new get it to me and I'll add it to our list.
Questions? Please email or phone: MikeVolkerding@gmail.com / Cell Phone 513.375.3302